This class has spent a lot of time exploring art as a platform for teaching, resistance, and collective action. But science can do that too!
Academia has often been critiqued as an Ivory Tower, where scholars cut themselves off from the realities of the world and exist in a privileged bubble, while Western science often demeans other forms of knowing the world. The way we create and share environmental knowledge can thus contribute to environmental injustice - or, through public participation in research processes, be a powerful platform for environmental justice.
This Learning Log explores participation in environmental research and education, thinking about how community-centric approaches to environmental problems and holistic responses to resource inequalities can create a wide array of additional benefits.
Read: about Christopher Morgan’s research collaboration with the Tsay Keh Dene Nation through the news articles below.
Engineer: water justice in Southwest Morocco with Dar Si Hmad, a non-profit organisation innovating fog-harvesting technologies to empower Indigenous Amazigh women.
optional: The longer video below is a recording of Jamila Bargach’s visit to the Spring 2021 cohort of this course. Though we didn’t have time to host her live this semester, you can watch her discuss the project in detail if you would like to learn more, and Becca can put you in touch if you have questions.
Dr Jamila Bargach is the co-founder of Dar Si Hmad, which operates the world’s largest operational fog harvesting project. The system not only delivers potable water to Amazigh households, but also fosters the independence of women in the community. An anthropologist by training, Jamila has taught at University Mohammed V in Rabat and worked at a number of NGOs in Morocco and overseas. She has also published several articles on adoption practices, unwed mothers, gender and development, and the DSH fog initiative. As an activist and scholar, Jamila has dedicated her life to serving under-resourced communities, creating sustainable initiatives through education, and scientific innovation.
Appreciate: the biomimicry of fog-harvesting technologies as you view “Grandmother Spider”. The design of Dar Si Hmad’s nets was inspired by spider webs, and many other fog-collecting systems around the world take their cues from nature.
Christi Belcourt is a Michif (Métis) visual artist with a deep respect for Mother Earth, the traditions and the knowledge of her people. In addition to her paintings she is also known as a community based artist, environmentalist and advocate for the lands, waters and Indigenous peoples. She is currently a lead organizer for the Onaman Collective which focuses on resurgence of language and land based practices. She is also the lead coordinator for Walking With Our Sisters, a community-driven project that honours murdered or missing Indigenous women. Her work Giniigaaniimenaaning (Looking Ahead) commemorates residential school survivors, their families and communities to mark the Prime Minister’s historic Apology in 2008 and is installed at Centre Block on Parliament Hill commissioned by the Government of Canada. She was named the Aboriginal Arts Laureate by the Ontario Arts Council in 2015. In 2016 she won a Governor General’s Innovation Award and was named the winner of the 2016 Premier’s Awards in the Arts. Author of Medicines To Help Us (Gabriel Dumont Institute, 2007) and Beadwork (Ningwakwe Learning Press, 2010). Christi’s work is found within the permanent collections of the National Gallery of Canada, the Art Gallery of Ontario, Gabriel Dumont Institute, the Indian and Inuit Art Collection, Parliament Hill, the Thunder Bay Art Gallery and Canadian Museum of Civilization, First People’s Hall.
Complete: your Learning Log for this session via the form below.